• Round Table:
  "What is Theatre?" and "Totem & Horde"

• Talk:
   Meeting with members of "EL RAYO MISTERIOSO" Theatre Laboratory Group. 

• Screening of Films:
  Films which aesthetics contributes to the work of the actor. 

• Open Show: 
  As a conclusion to the work done in the Seminar of Actoral Training with Montage

 Participation certificates will be given and, for dynamic reasons, there are limited seats.

 PSYCHOPHYSICAL TRAINING

ACTOR'S BIOENERGETICS:
Energy of Life. The quantum. Forms of Energy. Energy fields. Energy Centers . Circulation Channels. Blockade and emotive defense. The sensation. Balance of the Corporal Energy. Intrascenic energy fields. Relation Show Field /Spectator Field. Cathartic energy.  Energy centers location. Human magnetic field.
Coord.: José Pierini

TRAINING TENDING TO SURMOUNTING:
The senses. Perceptive Transduction. The sensation. The perception. Origins and development of the defensive armor. Self-knowledge. Emotion. Imagination. The sound. The time. The rhythm. Daily and extra-daily. The creative discipline. The relation with the dramatic space.
Coord: María de los Ángeles Oliver.

KUNG FU ARS SUM (Man that is fulfilled by means of the work on himself in Art):
Balance of the corporal Energy: Tension/Relaxation. Energetic continuity in movement.  Directionality of the energy.  Balance/Loss of Balance. Coordination. Dissociation. Space. The will. The discipline.  Psychophysics of Surmounting. The Styles: Eagle, Dragon, Crane, Leopard, Butterfly, Monkey, Serpent, Tiger.
Coord.: Aldo El-Jatib

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MONTAGE 

SEMINAR OF ACTORAL TRAINING WITH MONTAGE :
Dynamics of the Training in the Mise en Scène. The Attention. The Concentration. The Tension. The Sensation. The Emotion. The Sound. Time and Rhythm. Daily and extra-daily.  Action/Reaction. The presentation. Ceremonial origins of the theater. Psychic hygiene and Expression. The extatic experience and the catharsis. Improvisation/Contra-improvisation.
Actoral Direction. Development of the process of the spectacular direction. Fundamentals and constituent elements of the spectacle. Space or Text. The actor. Boarding of dramatic space. The great ordainer of spectacular signs. The originality of the actor and the originality of the show. The training of the actor. Catharsis and Communication. The Actoral Partiture. The seven fundamental phases in the creative process: Introduction/Contact - Fluxion - Relation - Experimentation - Undulatory Fixation - Communication - Continuation.  . The method of the actor as aesthetic determinant.  Relation of the Ethics with the method and the aesthetics with the spectacle. The agglutinant concept. Sign and spectacular semiosis.
Coord.: Aldo El-Jatib 

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THEATER THEORY

RATIONALIST THEATER AND IRRATIONALIST THEATER
Different forms to approaching the dramatic fact. The social surroundings and the expressive necessities. Method and Aesthetics . Realism, Naturalism, Surrealism, Expressionism, Existentialism, the Theater of the Absurd, Dada, the Panic, the Happening, the Theatrical Laboratory. Anthropology or Technology. 
Coord.: Aldo El-Jatib

THE THEATRICAL LABORATORY
Concept of Group. Dynamics of the Theater  Group. History of the main Theater Groups: Methods and spectacles. Ethics as the construction of dynamics. Dynamics as construction of Aesthetics. Forms of Production and survival. Projection and Continuity.
Coord.: Aldo El-Jatib 

ARTAUD: POETICS OF SPACE:
Biographical approach. The Surrealism. The theater experience. The Theater and Its Double: the method in poetry. The Theater of the Cruelty. The Theater and the Plague. The irrationalist Theater. The Alchemy: magic and mystery. The Poetry of Space. The Search of the Origin. An affective athletics. Expression and translation. Dynamics of the Scene.
Coord.: Aldo El-Jatib 

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Former Editions
1st Edition - 2nd Edition - 3rd Edition - 4th Edition - 5th Edition

 

PRODUCTION & ORGANIZATION:	With the Support of:
Grupo Laboratorio de Teatro "EL RAYO MISTERIOSO"